Given Germany's pioneering role in the gay rights movement and the sacrifices made by its homosexuals over the decades, it seemed overwhelmingly tragic that modern Berlin should be just another gay party capital renowned for shopping and shagging.
But then I went to see Karl-Heinz Steinle, the curator of the world's first Schwules Museum: the only 'Gay Museum' in the global village.
One of the museum's exhibits |
'I would say that Berlin is actually more balanced than other cities,' he explains. 'Berlin has these dark-sex-triple-gangbang-fuck-rooms—'
—a word I would love to see written in German—
'—with all the drugs and stuff. And it has, let's say, new ideas, experimental gender-crisscrossed rooms and programs and quite a few historical groups.'
The Schwules Museum began in a flat before the fall of the Wall and now occupies an old industrial workshop; its neighbours are a gay café and a shop called 'Faster, Pussycat!'
'There is one part of gays' thinking that isn't so interested in history, but there is another part which is enormously interested to be able to say "I'm not the first one,"' Karl-Heinz says.
'The museum's development from a little special interest group to the institution that we are now also establishes gay history as a scientific study. It's not done by gays who want to say, "I will collect 2,000 photographs of cocks."'
That said, there's no famine of phalluses in the museum's exhibit on two centuries of gay history.
Inevitably, as with Freud's house in Vienna, Berlin's Gay Museum takes the we-are-the-champions approach to history.
But amid the usual namechecks—nods to the Greeks and Romans, plus Dietrich, Wilde, Auden and Isherwood—it also displays plenty of curiosities: an anal diagram from a French medical text in 1878 showing 'Desordres que produit la pederastie' (it ain't pretty)… Gestapo photos of known homosexuals, taken in three poses (including with and without hats)… and kitsch Seventies copies of him: das magazine mit dem mann featuring weedy sex symbols with bush cuts and sideburns before the American gym-bunny aesthetic conquered the world.
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