Bizarrely, there's even a burgeoning subgenre of memoirs by the descendants of Nazis trying to atone for their families' sins.
The great-niece of Heinrich 'Holocaust' Himmler, for instance, wound up marrying an Israeli, claiming in her book that 'it was as if we were predestined to meet.'
Imagine the pillow talk.
Meanwhile, a distant relative of Hermann 'Jew-Looter' Göring, a physiotherapist who grew up bullied by his classmates with his parents complaining that 'all our money's gone to the Jews,' has said he's thinking of converting to Judaism.
Matthias Göring already keeps kosher, wears a kippah, a Star of David necklace and even an orange 'anti-disengagement bracelet' in sympathy with Jewish 'settlers' in the West Bank.
According to Gad, many German converts to Judaism actually turn out to be homosexual (though not Matthias Göring, apparently: he's been married.)
'THEY HATE THE BEAUTY IN ME'
'A problem with coming out is that your conflict with society is based on sexuality,' he says. 'Now, that is… not… pleasant. It's disgusting. You can't build self-esteem on sexuality—especially people who come from villages. So I think they shift their identity from homosexuality and turn it in their minds into a conflict (with society)—"I was always a bit different". It's something righteous; it's not dirty sexuality. It's "As a matter of fact, I'm Jewish. I'm different because somehow in my inner self I'm this righteous little Jew. That is why they hate the beauty in me."'
He laughs—and oddly switches pronouns. 'You can't accept the beauty in you because you're homosexual, because there you really have to go very far to think that being homosexual is beautiful. So they try to find an identity that will explain their conflict and make it—dignified—that's the word. It's very dignified to be Jewish, especially in Germany now. Whereas if it's just your dick moving the wrong way, and you start lickin' somebody's ass and fisting—it's disgusting! That's not dignified! Are you fighting with your parents, who love you and raised you and sent you to school, just because you wanna fist?'
He cackles. 'And it's very funny, because these German converts—these awful, lower middle-class people, these Christian homos with their Aryan noses and their blonde hair—aagh!—and their glasses, to make them look like intellectuals—sit in the front rows of the synagogues.'
'Do they get circumcised, too?'
'If they want to become Jewish, yes, they have to. But quite a lot of homosexuals get circumcised nowadays. It's a sort of fashion now to get themselves cut—which is quite an operation, by the way.'
I don't doubt it.
A Journey from Pompeii's Oldest Brothel to Cold War Sexpionage,
Angry Male Lesbians and Beyond -- by JR Daeschner
Showing posts with label Racism. Show all posts
Showing posts with label Racism. Show all posts
The History of Sex: Berlin -- 'This Righteous Little Jew' -- (Chapter IX, Part 22)
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The History of Sex: Berlin -- Jew-Loving Germans -- (Chapter IX, Part 21)
What with all the stuff about Sodom and Gomorrah, though, Judaism isn't the most gay-friendly religion.
Before coming here, then, it was a surprise to me to find an online network of Jews in Germany trying to square their spiritual beliefs with their homosexuality.
Gad rolls his eyes and tells me about a run-in he had one year during Berlin's Christopher Street Parade.
'These people from Yachad Deutschland were walking there with the Israeli flag. And this was the middle of the intifada, and I just thought to myself we're having a nice, tolerant thing over here. We don't want an Israeli flag. We didn't have a German flag, we don't want any national flags.'
'So I went over and said, "Fuckin' Jews"—I was drunk—as a joke. And they were hysterical! They were waiting for it—they were waiting for somebody to do something—and nobody cared! So they jumped at me. And thank God I still had an Israeli passport—I took it out and said, "Sorry girls".'
He laughs devilishly. 'They were furious!'
He pauses to stub out a cigarette. 'Identity politics sucks.'
'Didn't you encounter any anti-Semitism when you came here?'
'Of course, I did. There's quite a bit of anti-Semitism here, but then there's quite a bit of anti-Semitism everywhere.'
But if anything, he adds, that's not the problem for Jews in Germany, particularly not in artsy circles.
'Nowadays I find the problem is also philo-Semitism—the love for Jews. It's disturbing. You don't know how popular you can get without having done anything. I lived in a flat, and my flatmate would clean the dishes all the time. And I was wondering, Is he in love with me? And then I found out—you know what? I'm a VIP! And that's a problem if you're sincere, in the sense that you really don't want people to like you just because, "Oh, he's Jewish, let's have a Jew around, that's exotic." Because German identity is based on guilt toward the Jews.'
Before coming here, then, it was a surprise to me to find an online network of Jews in Germany trying to square their spiritual beliefs with their homosexuality.
Gad rolls his eyes and tells me about a run-in he had one year during Berlin's Christopher Street Parade.
'These people from Yachad Deutschland were walking there with the Israeli flag. And this was the middle of the intifada, and I just thought to myself we're having a nice, tolerant thing over here. We don't want an Israeli flag. We didn't have a German flag, we don't want any national flags.'
'So I went over and said, "Fuckin' Jews"—I was drunk—as a joke. And they were hysterical! They were waiting for it—they were waiting for somebody to do something—and nobody cared! So they jumped at me. And thank God I still had an Israeli passport—I took it out and said, "Sorry girls".'
He laughs devilishly. 'They were furious!'
He pauses to stub out a cigarette. 'Identity politics sucks.'
'Didn't you encounter any anti-Semitism when you came here?'
'Of course, I did. There's quite a bit of anti-Semitism here, but then there's quite a bit of anti-Semitism everywhere.'
But if anything, he adds, that's not the problem for Jews in Germany, particularly not in artsy circles.
'Nowadays I find the problem is also philo-Semitism—the love for Jews. It's disturbing. You don't know how popular you can get without having done anything. I lived in a flat, and my flatmate would clean the dishes all the time. And I was wondering, Is he in love with me? And then I found out—you know what? I'm a VIP! And that's a problem if you're sincere, in the sense that you really don't want people to like you just because, "Oh, he's Jewish, let's have a Jew around, that's exotic." Because German identity is based on guilt toward the Jews.'
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The History of Sex: Berlin -- 'The Hottest City for Israelis' -- (Chapter IX, Part 20)
Gad's family already knew he was gay when he told them he planned to study in Berlin in 1986.
His grandfather was fine about the move; it was the Middle Eastern side of the family that was the problem.
'It was more about being afraid of the unknown. It wasn't Germany itself. They had the idea that Western Christians were against Jews; not that the Muslims were against Jews.'
'But of all the cities in the world, why here?' I ask.
'Berlin was very free, in all sorts of ways. It was punk, it was hip, it was dangerous—not real danger; I mean, I came from danger—but there was squatting and you could have sex whenever you wanted to. There was freedom.'
He points out that Germany now has the fastest-growing Jewish community in the world, though admittedly off a very small base.
'There are almost 200,000 Jews in Germany now—200,000! England has 300,000, and it's falling.'
Most of the newcomers are Russian Jews, who receive social benefits the minute they arrive. In fact, the number of Jews immigrating to Germany rivals that of those going to Israel.
'Berlin is the hottest city in Europe now for Israelis,' he says. 'There are two or three thousand Israelis here; there used to be only two or three hundred. It's an enormous community.'
'Why is that?'
'Time heals all wounds,' he says grandly.
Then he snaps back into his camp Irish persona. 'It's true. I wouldn't have thought so. I would've thought the way you're thinking. But things are changing, and they're changing quite quickly. Like, you hear Hebrew here. I'm amazed! But they love it here! You can go out all night, fuck all night and have drugs all night. The drinks are cheap, and the livin' is easy.'
His grandfather was fine about the move; it was the Middle Eastern side of the family that was the problem.
'It was more about being afraid of the unknown. It wasn't Germany itself. They had the idea that Western Christians were against Jews; not that the Muslims were against Jews.'
'But of all the cities in the world, why here?' I ask.
'Berlin was very free, in all sorts of ways. It was punk, it was hip, it was dangerous—not real danger; I mean, I came from danger—but there was squatting and you could have sex whenever you wanted to. There was freedom.'
![]() |
| A new 'Fatherland' or 'Time Bomb'? A street mural of an Israeli flag superimposed on a German flag |
He points out that Germany now has the fastest-growing Jewish community in the world, though admittedly off a very small base.
'There are almost 200,000 Jews in Germany now—200,000! England has 300,000, and it's falling.'
Most of the newcomers are Russian Jews, who receive social benefits the minute they arrive. In fact, the number of Jews immigrating to Germany rivals that of those going to Israel.
'Berlin is the hottest city in Europe now for Israelis,' he says. 'There are two or three thousand Israelis here; there used to be only two or three hundred. It's an enormous community.'
'Why is that?'
'Time heals all wounds,' he says grandly.
Then he snaps back into his camp Irish persona. 'It's true. I wouldn't have thought so. I would've thought the way you're thinking. But things are changing, and they're changing quite quickly. Like, you hear Hebrew here. I'm amazed! But they love it here! You can go out all night, fuck all night and have drugs all night. The drinks are cheap, and the livin' is easy.'
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The History of Sex: Berlin -- Home of the Gay Israeli -- (Chapter IX, Part 19)
One of the more unlikely revelers in this new freedom was a gay Israeli who'd moved to Germany a few years earlier.
Since then, he's been portrayed back home as a self-loathing Jew, so he's reluctant to let me use his real name. Instead, I'll call him 'Gad'—as in '-fly' and the gay Jew who survived Nazi Berlin.
Given that I've already met a Bavarian Berliner who talks like a Jewish New Yorker, I suppose I shouldn't be too surprised to find a gay Israeli who sounds like a camp Irishman.
But Gad's best friend is from Cork, so he's managed to pick up the accent, even though he's visited Ireland only once 15 years ago.
It's this omnivorous intelligence that makes a talk with Gad so entertaining: he's like Graham Norton with a brain.
Cocking his HB cigarette at a catty, inquisitive angle—'The Brits called them Hitler's Best; I call them Huns' Best'—he outlines his background for me.
On his father's side, he comes from Iraqi Jews, while his mother's family hailed from Galicia. Fortunately for Gad, his maternal grandfather was a Communist.
'He ran away from the Nazis—the only one from his family. That saved him from Auschwitz, which the rest of the family went to. Because he believed the Communist propaganda against the Nazis (about the camps), which of course was the truth.'
After the war, his grandparents tried to return to Galicia, 'but the Yiddish world they'd known had disappeared.'
They spent some time in Sweden, where Gad's mother was born, and then Brazil, before finally settling in Israel in 1951.
Gad's parents met as teenagers in the Israeli Communist movement, so it's probably inevitable that their son should view the world's ills in terms of class struggle.
'I remember the famous, eternal sentence of my grandfather. It was in a café in Israel, and he said: "The Germans are a very bad people. But you know, the Lithuanians are bad people. The Ukrainians are worse. But the worst"—and he stood up, I'll never forget the shame I felt—"are these damn Zionists!"'
Gad bashes his fist on the table, mimicking his granddad, then leans back and shrugs.
'He lived in Israel—very happily.'
Since then, he's been portrayed back home as a self-loathing Jew, so he's reluctant to let me use his real name. Instead, I'll call him 'Gad'—as in '-fly' and the gay Jew who survived Nazi Berlin.
Given that I've already met a Bavarian Berliner who talks like a Jewish New Yorker, I suppose I shouldn't be too surprised to find a gay Israeli who sounds like a camp Irishman.
But Gad's best friend is from Cork, so he's managed to pick up the accent, even though he's visited Ireland only once 15 years ago.
It's this omnivorous intelligence that makes a talk with Gad so entertaining: he's like Graham Norton with a brain.
Cocking his HB cigarette at a catty, inquisitive angle—'The Brits called them Hitler's Best; I call them Huns' Best'—he outlines his background for me.
On his father's side, he comes from Iraqi Jews, while his mother's family hailed from Galicia. Fortunately for Gad, his maternal grandfather was a Communist.
'He ran away from the Nazis—the only one from his family. That saved him from Auschwitz, which the rest of the family went to. Because he believed the Communist propaganda against the Nazis (about the camps), which of course was the truth.'
After the war, his grandparents tried to return to Galicia, 'but the Yiddish world they'd known had disappeared.'
They spent some time in Sweden, where Gad's mother was born, and then Brazil, before finally settling in Israel in 1951.
Gad's parents met as teenagers in the Israeli Communist movement, so it's probably inevitable that their son should view the world's ills in terms of class struggle.
'I remember the famous, eternal sentence of my grandfather. It was in a café in Israel, and he said: "The Germans are a very bad people. But you know, the Lithuanians are bad people. The Ukrainians are worse. But the worst"—and he stood up, I'll never forget the shame I felt—"are these damn Zionists!"'
Gad bashes his fist on the table, mimicking his granddad, then leans back and shrugs.
'He lived in Israel—very happily.'
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The History of Sex: Berlin -- 'A Gay Jew in Nazi Berlin' -- (Chapter IX, Part 13)
Amazingly, some gays managed to survive in the heart of the Reich.
One of the most extraordinary examples is Gad Beck, whose autobiography has an irresistible subtitle (Memoirs of a Gay Jew in Nazi Berlin) and highlights just how much sexual attitudes have changed.
For example, he blithely recounts his first sexual encounter when he was nine or so—with his uncle, who was in his fifties:
'He put me on his lap and kissed me on both cheeks. And suddenly I felt that I was sitting on something! It was warm and firm and felt… well… nice. Nothing else happened. He smiled at me in a special way, mischievous and at the same time loving, which is why I tried to provoke these situations. For the first time, I had erotic feelings in that bottom of mine.'
After messing around with his schoolmates, Gad then had a one-off encounter with his PE teacher at the age of twelve.
'I embraced him and noticed that he was aroused as well. We caressed and rubbed against each other, not even all that much, and then we came, both of us.'
Later, when his mother asked how his day had been, he told her excitedly, 'Really nice. I hugged my gym teacher in the locker room. It was really fun.'
At this point, most modern parents would be on the phone to the police.
But Gad claims his mother 'was not at all upset: "Aha, I thought so," she answered dryly.'
Beck explains her response: 'Relationships between boys and girls were treated much more seriously.'
Mainly because of fears of pregnancy, but also Nazi laws on racial mixing.
'If something had happened with a girl in my class, I probably would have been afraid to say anything. But being affectionate with a male teacher? What could happen?... I came out, as you say nowadays, in a totally nonchalant fashion.'
It seems ironic that even the most liberal parents now, having grown up after both Sexual Revolutions, would act more conservatively than a bourgeois German mother in 1934.
One of the most extraordinary examples is Gad Beck, whose autobiography has an irresistible subtitle (Memoirs of a Gay Jew in Nazi Berlin) and highlights just how much sexual attitudes have changed.
For example, he blithely recounts his first sexual encounter when he was nine or so—with his uncle, who was in his fifties:
'He put me on his lap and kissed me on both cheeks. And suddenly I felt that I was sitting on something! It was warm and firm and felt… well… nice. Nothing else happened. He smiled at me in a special way, mischievous and at the same time loving, which is why I tried to provoke these situations. For the first time, I had erotic feelings in that bottom of mine.'
After messing around with his schoolmates, Gad then had a one-off encounter with his PE teacher at the age of twelve.
'I embraced him and noticed that he was aroused as well. We caressed and rubbed against each other, not even all that much, and then we came, both of us.'
Later, when his mother asked how his day had been, he told her excitedly, 'Really nice. I hugged my gym teacher in the locker room. It was really fun.'
At this point, most modern parents would be on the phone to the police.
But Gad claims his mother 'was not at all upset: "Aha, I thought so," she answered dryly.'
Beck explains her response: 'Relationships between boys and girls were treated much more seriously.'
Mainly because of fears of pregnancy, but also Nazi laws on racial mixing.
'If something had happened with a girl in my class, I probably would have been afraid to say anything. But being affectionate with a male teacher? What could happen?... I came out, as you say nowadays, in a totally nonchalant fashion.'
It seems ironic that even the most liberal parents now, having grown up after both Sexual Revolutions, would act more conservatively than a bourgeois German mother in 1934.
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The History of Sex: Berlin -- 'Berlin Meant Boys' -- (Chapter IX, Part 9)
Among the countless foreigners attracted to this milieu was Christopher Isherwood, who'd heard about Berlin from his friend, Wystan (WH Auden to the rest of us).
Writing in the third person, Isherwood made it clear why he moved to Germany in 1929: 'To Christopher, Berlin meant Boys.'
Auden had introduced him to his favorite rent-boy bar, where another regular recalled that the blond Aryans wore 'extremely short lederhosen which showed off their smooth and sunburnt thighs to delectable advantage'—with the pockets cut out for ease of access.
Soon after his arrival, Isherwood visited the world's first Institute of Sexology, founded by Hirschfeld a decade earlier in a grandiose building in the Tiergarten.
The doctor's much younger lover—and later Hirschfeld himself—took him on a tour of the center, where Isherwood giggled with embarrassment at the menagerie of 'sex in every manifestation.'
Photos of hermaphrodites decorated the walls, and live specimens were on hand for inspection—including a young man with 'two perfectly formed female breasts.'
Hirschfeld dubbed cross-dressers 'transvestites' and ended up counseling the first sex-change patient, a Danish painter (Einar Mogens Wegener / Lili Elbe) who died after his final operation—a failed attempt to transplant a woman's ovaries into his body so that he could become a mother.
The same year that Hirschfeld opened the institute, he'd also produced and starred in the world's first gay film, shot in the Schöneberg district.
Different From the Others (or Anders als die Andern) was released in 1919 and told the highly didactic tale of a gay man driven to suicide by a blackmailer exploiting Paragraph 175, with a star turn by Hirschfeld as a sexpert.
The silent film had been banned in the Nazi stronghold of Munich, as well as Vienna, where a gunman fired into the audience.
Hirschfeld himself had been attacked by anti-Semites in Munich in 1920.
'He was so beaten that his eloquent mouth could never again be kissed by one of his "disciples",' a Nazi noted.
Nevertheless, the fifty-two-year-old doctor had bravely returned the following year—and received such a hiding that some papers ran his obituary.
Hirschfeld survived, however—only to be shot at during a lecture in Vienna.
Writing in the third person, Isherwood made it clear why he moved to Germany in 1929: 'To Christopher, Berlin meant Boys.'
Auden had introduced him to his favorite rent-boy bar, where another regular recalled that the blond Aryans wore 'extremely short lederhosen which showed off their smooth and sunburnt thighs to delectable advantage'—with the pockets cut out for ease of access.
Soon after his arrival, Isherwood visited the world's first Institute of Sexology, founded by Hirschfeld a decade earlier in a grandiose building in the Tiergarten.
The doctor's much younger lover—and later Hirschfeld himself—took him on a tour of the center, where Isherwood giggled with embarrassment at the menagerie of 'sex in every manifestation.'
Photos of hermaphrodites decorated the walls, and live specimens were on hand for inspection—including a young man with 'two perfectly formed female breasts.'
Hirschfeld dubbed cross-dressers 'transvestites' and ended up counseling the first sex-change patient, a Danish painter (Einar Mogens Wegener / Lili Elbe) who died after his final operation—a failed attempt to transplant a woman's ovaries into his body so that he could become a mother.
The same year that Hirschfeld opened the institute, he'd also produced and starred in the world's first gay film, shot in the Schöneberg district.
Different From the Others (or Anders als die Andern) was released in 1919 and told the highly didactic tale of a gay man driven to suicide by a blackmailer exploiting Paragraph 175, with a star turn by Hirschfeld as a sexpert.
Classic dowager line at 29:29 -- 'If that boy's completely normal, then I'm a virgin.' Hirschfeld himself appears at 30:50 in this hour-long clip.
Hirschfeld himself had been attacked by anti-Semites in Munich in 1920.
'He was so beaten that his eloquent mouth could never again be kissed by one of his "disciples",' a Nazi noted.
Nevertheless, the fifty-two-year-old doctor had bravely returned the following year—and received such a hiding that some papers ran his obituary.
Hirschfeld survived, however—only to be shot at during a lecture in Vienna.
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The History of Sex: Berlin -- Splitting the Third Sex Into Two Camps -- (Chapter IX, Part 8)
The first gay-rights activist died in self-imposed exile in Italy before he could see the culmination of his life's work.
On May 15, 1897, a nucleus of friends in Berlin founded the world's first gay-rights group to lobby for the abolition of Paragraph 175, the Prussian statute outlawing 'unnatural acts' between men.
Over the next decade, the Scientific Humanitarian Committee's petition collected 6,000 signatures, including those of Krafft-Ebing and many other heterosexuals.
However, infighting soon split the movement into two camps, so to speak—a divide that's still detectable today.
The Scientific Humanitarian Committee headed up the main group, led by a young doctor who advocated the third-sex theory.
Although noticeably effeminate—his friends called him Auntie Magnesia—Magnus Hirschfeld never publicly acknowledged his homosexuality for fear it would make his (already dubious) research look biased.
The fact that he was also Jewish was not lost on his enemies.
A widely read work on Sex and Character (written by Otto Weininger, a suicidal Jew in Vienna) equated Jewishness with femininity and blamed Semitism for the decay of Aryan culture.
Meanwhile, an erstwhile ally of Hirschfeld's launched the world's first successful gay magazine, Der Eigene—a word meaning 'self,' 'same' and/or 'different.'
Adolf Brand was what we'd now call 'straight-acting,' the ringleader of a radical minority of gay supremacists, many of whom were anti-Semites to boot.
Styling themselves the Community of the Special, Brand and his followers resented being portrayed as 'stepchildren of nature' by eggheaded pansies.
On the contrary, they argued that pederasty was a lifestyle choice that separated truly macho men from the boys.
Romanticizing both the ancient Greeks and Germans, they painted homosexuality as a higher form of love, contending that they should be free to bugger their fellow men while using straight women to further the Aryan race.
In the blank-slate euphoria after World War One, Hirschfeld hoped that Germany's fledgling democracy would follow the lead of the new Soviet Union and legalize homosexuality.
Instead, the ensuing turmoil fueled a degree of hedonism rarely seen since the days of Sodom and Gomorrah.
For the next fifteen years, Germany became a magnet for sexual 'perverts,' with homosexual magazines sold openly on newsstands, thousands of people around the country joining same-sex associations and more than a hundred gay bars operating in the capital (many of them owned by German Jews, as Hitler noted in Mein Kampf).
On May 15, 1897, a nucleus of friends in Berlin founded the world's first gay-rights group to lobby for the abolition of Paragraph 175, the Prussian statute outlawing 'unnatural acts' between men.
Over the next decade, the Scientific Humanitarian Committee's petition collected 6,000 signatures, including those of Krafft-Ebing and many other heterosexuals.
However, infighting soon split the movement into two camps, so to speak—a divide that's still detectable today.
The Scientific Humanitarian Committee headed up the main group, led by a young doctor who advocated the third-sex theory.
Although noticeably effeminate—his friends called him Auntie Magnesia—Magnus Hirschfeld never publicly acknowledged his homosexuality for fear it would make his (already dubious) research look biased.
The fact that he was also Jewish was not lost on his enemies.
![]() |
| Magnus Hirschfeld, the 'Hero of the Day' campaigning to do 'Away with Paragraph 175!' |
A widely read work on Sex and Character (written by Otto Weininger, a suicidal Jew in Vienna) equated Jewishness with femininity and blamed Semitism for the decay of Aryan culture.
Meanwhile, an erstwhile ally of Hirschfeld's launched the world's first successful gay magazine, Der Eigene—a word meaning 'self,' 'same' and/or 'different.'
Adolf Brand was what we'd now call 'straight-acting,' the ringleader of a radical minority of gay supremacists, many of whom were anti-Semites to boot.
![]() |
| Adolf Brand is the one in the upper righthand corner |
Styling themselves the Community of the Special, Brand and his followers resented being portrayed as 'stepchildren of nature' by eggheaded pansies.
On the contrary, they argued that pederasty was a lifestyle choice that separated truly macho men from the boys.
Romanticizing both the ancient Greeks and Germans, they painted homosexuality as a higher form of love, contending that they should be free to bugger their fellow men while using straight women to further the Aryan race.
In the blank-slate euphoria after World War One, Hirschfeld hoped that Germany's fledgling democracy would follow the lead of the new Soviet Union and legalize homosexuality.
Instead, the ensuing turmoil fueled a degree of hedonism rarely seen since the days of Sodom and Gomorrah.
For the next fifteen years, Germany became a magnet for sexual 'perverts,' with homosexual magazines sold openly on newsstands, thousands of people around the country joining same-sex associations and more than a hundred gay bars operating in the capital (many of them owned by German Jews, as Hitler noted in Mein Kampf).
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The History of Sex: Graz and Vienna -- From High Drama to Low Farce -- (Chapter VIII, Part 10)
Although the conventional view nowadays is that Krafft-Ebing ruined the writer's reputation, in truth, if anyone ruined Sacher-Masoch's career, it was the Chevalier himself.
Forever striving for high drama, his sexcapades usually collapsed into low farce.
While Wanda was still recovering from the birth of their third child, for instance, her husband excitedly showed her a personal ad from a Viennese newspaper:
'Handsome, rich, energetic young man would like to meet pretty, elegant young woman; admirer of the works of Leopold von Sacher-Masoch preferred.'
The writer himself quickly drafted a reply for his wife, enclosing a photo of Wanda.
The man returned the favor, including a picture of himself in Eastern garb.
'A Turk, Wanda!' Leopold exclaimed. 'Now at last we've got hold of someone who understands how to make love!'
Sacher-Masoch then hastily dispatched his ailing wife to a health spa to have sex with the stranger.
However, Wanda returned the very next afternoon, informing her far from gallant Chevalier that the 'Turk' was actually 'a very nice boy' from Vienna—real name: Nikolas Teitelbaum—whose mother was a friend of the family.
'We talked half the night, but nothing happened,' Wanda told him. 'I felt ill, anyhow.'
LUDWIG THE MAD
In another intrigue, a mystery correspondent tried to sound out whether The Love of Plato might reflect Sacher-Masoch's true tendencies.
Wanda quickly worked out that the fan was a man, not least because of his nom de plume: Anatol.
But Sacher-Masoch fantasized that he was a frustrated 'she-devil,' a manly woman who would beat him like an evil Queen Mother of Constantinople.
The famous author then embarked on a bizarre charade that at one point involved him sitting blindfolded alone in a hotel room at midnight (to meet a man he couldn't see) and at another him and his wife trying to arrange a ménage-a-trois, sitting in the dining room of a hotel in Graz so that Wanda could be seduced by Anatol.
When she was finally summoned upstairs, instead of the deep-voiced man Sacher-Masoch had met, she found a crippled pipsqueak with red hair.
After a tiresome cat-and-mouse game (even Sacher-Masoch got bored), the couple found out years later that they'd been outwitted by two royal friends: Holland's invalid Alexander of Orange and Bavaria's 'Mad' King Ludwig II, who wound up drowning himself and his doctor in a lake (Krafft-Ebing had warned his colleague to keep an eye on Ludwig).
Forever striving for high drama, his sexcapades usually collapsed into low farce.
While Wanda was still recovering from the birth of their third child, for instance, her husband excitedly showed her a personal ad from a Viennese newspaper:
'Handsome, rich, energetic young man would like to meet pretty, elegant young woman; admirer of the works of Leopold von Sacher-Masoch preferred.'
The writer himself quickly drafted a reply for his wife, enclosing a photo of Wanda.
The man returned the favor, including a picture of himself in Eastern garb.
Sacher-Masoch then hastily dispatched his ailing wife to a health spa to have sex with the stranger.
However, Wanda returned the very next afternoon, informing her far from gallant Chevalier that the 'Turk' was actually 'a very nice boy' from Vienna—real name: Nikolas Teitelbaum—whose mother was a friend of the family.
'We talked half the night, but nothing happened,' Wanda told him. 'I felt ill, anyhow.'
LUDWIG THE MAD
In another intrigue, a mystery correspondent tried to sound out whether The Love of Plato might reflect Sacher-Masoch's true tendencies.
Wanda quickly worked out that the fan was a man, not least because of his nom de plume: Anatol.
But Sacher-Masoch fantasized that he was a frustrated 'she-devil,' a manly woman who would beat him like an evil Queen Mother of Constantinople.
The famous author then embarked on a bizarre charade that at one point involved him sitting blindfolded alone in a hotel room at midnight (to meet a man he couldn't see) and at another him and his wife trying to arrange a ménage-a-trois, sitting in the dining room of a hotel in Graz so that Wanda could be seduced by Anatol.
When she was finally summoned upstairs, instead of the deep-voiced man Sacher-Masoch had met, she found a crippled pipsqueak with red hair.
After a tiresome cat-and-mouse game (even Sacher-Masoch got bored), the couple found out years later that they'd been outwitted by two royal friends: Holland's invalid Alexander of Orange and Bavaria's 'Mad' King Ludwig II, who wound up drowning himself and his doctor in a lake (Krafft-Ebing had warned his colleague to keep an eye on Ludwig).
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| Mad? Me? |
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Defend Buttman? You're Not a Liberal, You're a Libertarian
From the archive: 2010
For those without sphincter fixations, John Stagliano is the porn mogul who's arguably done more than anyone to popularize anal sex among heterosexuals.
Toward the end of the last century, Stagliano spotted, well, a gap in the market and cast himself as Buttman, a sniggerworthy alter ego who not only sodomized women but also pioneered forms of exploitation that are now routine in the porn repertoire.
The success of his Evil Angel outfit--and the fact that society tolerated it--inspired established porn players to follow in his fetishistic footsteps, creating what has become, quite literally, a 'race to the bottom.'
As one of Stagliano's porn allies in LA told me while I was researching The History of Sex: 'Back in the early Nineties, (anal sex) wasn't rare, but it was like a step up from normal porn. Now it's kind of almost normal, because with the sex business, you gotta keep ratcheting up.'
'It's kinda like violence in movies. People get inured at a certain point—it's gotta be more, greater, nastier. Filthier.'
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| Buttman is HIV positive -- as is his porn star wife (thankfully, their nine-year-old daughter is negative) |
In the People v. Buttman case, Stagliano faced up to 32 years in prison on obscenity charges, but the judge threw out the case on technicalities.
Bizarrely, throughout the proceedings, many so-called liberals parroted the same clichés used in Stagliano's defense: consenting adults… their own privacy… First Amendment… freedom of speech… yadda, yadda, yadda.
But if you think there's anything liberal about supporting or tolerating porn, chances are 1) you don't know how hardcore it's become or 2) you have a vested interest in the industry.
Stagliano, for instance, is renowned for pioneering 'asshole milkshakes' and 'ATMs' ('ass-to-mouths'), in which women are not only subjected to anal sex but induced to swallow the ejaculate, thereby tasting their own feces.
And if you can tolerate that, here's a sample of the dialogue from Milk Nymphos, an Evil Angel video that was played to the court, as cited by a local paper.
'One of the female performers repeatedly refers to her male co-star as a "nigger," declaring, for example, "Come on, you nigger, fuck me in the ass," and imploring the other female performer to "look in his eyes when you suck his nigger cock."'
True liberalism holds that we're all in this together: that what I do has an impact on my fellow human beings, and if I see someone being exploited or treated unjustly, it's my duty to do everything in my power to help them.
That's why so many of the early liberals--not least Nonconformist women--fought to regulate porn and prostitution.
Libertarianism is almost the exact opposite, a kind of rabid conservatism that's perverted the American Dream.
Libertarians like Stagliano believe they should be free to make a buck any way they see fit unless the law can stop them.
In their twist on history, they'd have us believe that George Washington and his boys were eating their boots at Valley Forge so that centuries later, Buttman & Co. could get rich by degrading women for money.
Sure enough, one of Stagliano's media defenders was a research fellow at the DC-based Cato Institute, a group with the lofty-sounding ideals of promoting 'individual liberty, free markets and peace'.
In reality, it's a libertarian thinktank that thought nothing of taking Buttman's money.
If you want to proclaim the Buttman trial as a victory for free speech, then go ahead: that's your right.
But please: don't call yourself a liberal.
***
The History of Sex: Paris and Provence -- Muslim Porn: Behind the Scenes -- (Chap. VII, Pt. 30)
Likewise, I don't want to sound libelous, but it would be a scandal—and more than a little ironic—if the secretive entrepreneur behind Beurettes Rebelles were actually a racist enriching himself by exploiting French-Arab women.
And the more time I spend with him, I get the impression that Milukman doesn't hold France's North African population in the highest esteem: maybe it's because he's a Parisian from the upper crust or because his father had to flee Algeria in 1962 and remake his life after the revolution—Milukman still calls De Gaulle a 'traitor' for surrendering Algeria to the Algerians.
None of that makes him inherently racist, of course; in certain circles, it would just prove he's a good Frenchman.
But imagine the outrage if Milukman turned out to be a good Frenchman whose work just happened to rot the minds and reproductive relationships of immigrants to keep both them and their numbers down.
As Milukman says, though, he doesn't see it that way; it's a 'social service.'
'So are you planning to work in porn for the rest of your career?'
'No, no.' He shakes his head vigorously. 'If I want to have children, and they knew I was working in porn, that would be impossible for me. Maybe it's my Italian roots, but when I'm older, I can't look back at my life and say I did sex and porn.'
With that, Milukman offers to show me his studio nearby.
Instead of a professional film set—or even a photographer's studio—the woodbeamed atelier looks like a student's bedsit or, more romantically, an artist's garret, with a small skylight, a futon and a disheveled mattress, as well as DVDs of The Saint and The Da Vinci Code scattered around the TV and stereo.
The walls are decorated with postcards of tasteful nudes—there's nary a nipple in sight—in contrast to the hardcore scenes that are filmed right here.
On one of the Beurettes Rebelles DVDs you can glimpse the postcard nudes in the background—as a veiled woman with a C-section scar sodomizes herself with a massive black dildo.
And the more time I spend with him, I get the impression that Milukman doesn't hold France's North African population in the highest esteem: maybe it's because he's a Parisian from the upper crust or because his father had to flee Algeria in 1962 and remake his life after the revolution—Milukman still calls De Gaulle a 'traitor' for surrendering Algeria to the Algerians.
None of that makes him inherently racist, of course; in certain circles, it would just prove he's a good Frenchman.
But imagine the outrage if Milukman turned out to be a good Frenchman whose work just happened to rot the minds and reproductive relationships of immigrants to keep both them and their numbers down.
As Milukman says, though, he doesn't see it that way; it's a 'social service.'
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| Le Drilldo: one of Milukman's tools |
'So are you planning to work in porn for the rest of your career?'
'No, no.' He shakes his head vigorously. 'If I want to have children, and they knew I was working in porn, that would be impossible for me. Maybe it's my Italian roots, but when I'm older, I can't look back at my life and say I did sex and porn.'
With that, Milukman offers to show me his studio nearby.
Instead of a professional film set—or even a photographer's studio—the woodbeamed atelier looks like a student's bedsit or, more romantically, an artist's garret, with a small skylight, a futon and a disheveled mattress, as well as DVDs of The Saint and The Da Vinci Code scattered around the TV and stereo.
The walls are decorated with postcards of tasteful nudes—there's nary a nipple in sight—in contrast to the hardcore scenes that are filmed right here.
On one of the Beurettes Rebelles DVDs you can glimpse the postcard nudes in the background—as a veiled woman with a C-section scar sodomizes herself with a massive black dildo.
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The History of Sex: Paris and Provence -- 'I Don't Want to Sound Racist, But...' -- (Chap. VII, Pt. 29)
I'd rather not.
With all that and more under his belt, it's not surprising that Milukman views classic erotica like Emmanuelle as risibly tame.
'I'm from the new generation of producers. There's a gap between Emmanuelle and what I do,' he tells me, by which I think he means that old-school filmmakers tried to hide behind a fig leaf of artistic pretension, whereas his naked ambition is all about money shots.
But that's not what he's getting at.
'People of the old school did it because they loved it,' he explains.
'They were perverts—cochons—pigs. The new generation does it only because it's business. When we get together at meetings, we talk about links and partnerships, not about fucking.'
'You see webmasters who look like choirboys. There are a lot of men like me who didn't think they would work in sex, but sex came to them via the Internet.'
One glorious day I turned on the computer, and lo and behold, sex had come to me via the Internet!
Likewise, Milukman rejects any notion that he enjoys degrading women, much less that he's a sadist.
'My job is as a businessman. This is just a business opportunity.'
'So if you could make the same money selling potatoes—'
'—then we would do that!' he smiles triumphantly. 'I want to show that you can do porn on the Internet without being a pervert.'
Which sounds perversely puritanical.
And while your mind's reeling from that, I should point out that I have no idea whether the makers of Emmanuelle were cochons.
When I mention another elder veteran of the French hardcore scene, though, Milukman is scathing: 'He's obscene, a pervert. His life is porn. My life is not porn.'
And like a canny drug dealer—or a carb-conscious purveyor of spuds, for that matter—Milukman doesn't partake of his own product.
'I never watch my own movies on the Internet. Except for one. It was very funny to do—I'll show it to you later.'
'What about the beurettes? Do you ever sleep with them?'
'Never.' He rears back. 'When I meet one of the girls, I don't even kiss her. I shake her hand. When you're on set, you're in a business mindset. Also, I have a fiancée.'
'Does she know what you do?'
'Yes.' He grimaces. 'She doesn't like it, but she accepts it. When we're with friends and family, I'm not allowed to say what I do.'
'Also, she knows that I'm not attracted to that kind of woman. I don't want to sound racist, but when you've already fucked that kind of girl, you realize that things will always be complicated with them and their families, and they're hard to put up with.'
With all that and more under his belt, it's not surprising that Milukman views classic erotica like Emmanuelle as risibly tame.
'I'm from the new generation of producers. There's a gap between Emmanuelle and what I do,' he tells me, by which I think he means that old-school filmmakers tried to hide behind a fig leaf of artistic pretension, whereas his naked ambition is all about money shots.
But that's not what he's getting at.
'People of the old school did it because they loved it,' he explains.
'They were perverts—cochons—pigs. The new generation does it only because it's business. When we get together at meetings, we talk about links and partnerships, not about fucking.'
'You see webmasters who look like choirboys. There are a lot of men like me who didn't think they would work in sex, but sex came to them via the Internet.'
One glorious day I turned on the computer, and lo and behold, sex had come to me via the Internet!
Likewise, Milukman rejects any notion that he enjoys degrading women, much less that he's a sadist.
'My job is as a businessman. This is just a business opportunity.'
'So if you could make the same money selling potatoes—'
'—then we would do that!' he smiles triumphantly. 'I want to show that you can do porn on the Internet without being a pervert.'
Which sounds perversely puritanical.
And while your mind's reeling from that, I should point out that I have no idea whether the makers of Emmanuelle were cochons.
When I mention another elder veteran of the French hardcore scene, though, Milukman is scathing: 'He's obscene, a pervert. His life is porn. My life is not porn.'
And like a canny drug dealer—or a carb-conscious purveyor of spuds, for that matter—Milukman doesn't partake of his own product.
'I never watch my own movies on the Internet. Except for one. It was very funny to do—I'll show it to you later.'
'What about the beurettes? Do you ever sleep with them?'
'Never.' He rears back. 'When I meet one of the girls, I don't even kiss her. I shake her hand. When you're on set, you're in a business mindset. Also, I have a fiancée.'
'Does she know what you do?'
'Yes.' He grimaces. 'She doesn't like it, but she accepts it. When we're with friends and family, I'm not allowed to say what I do.'
'Also, she knows that I'm not attracted to that kind of woman. I don't want to sound racist, but when you've already fucked that kind of girl, you realize that things will always be complicated with them and their families, and they're hard to put up with.'
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