Of course, for women born with all their bits in the right place, this particular 'discovery' must have been an anticlimax.
But you can hardly blame Renaissance men for wanting to find a magic button that could turn women on at will—or, as the Columbus of the Nether Regions put it (no doubt with a pervy chuckle), 'even if they don't want it.'
After the official prudishness of the Middle Ages, the clitoral dispute reflected a rediscovery of the human body and the Roman maxim that 'nothing human is alien.'
Up until the Renaissance, even the most learned doctors were literally pig-ignorant about the basics of the human body. Textbooks were based on Galen's anatomies. Problem was, the Romans had banned human dissection, so he'd had to extrapolate from pigs and other animals.
It was Columbus' university mentor, Andreas Vesalius, who pioneered the use of cadavers to correct Galen's mistakes, making him the founder of modern anatomy—and a kindred spirit of artists like Leonardo da Vinci and Michelangelo, whose fascination with the body compelled them to dissect human corpses themselves.
Remarkably, it was only then that men began to realize the fair sex was profoundly different physiologically; previously, most great thinkers believed that women were merely males 'turned outside in.'
Columbus' reference to women's 'semen' was probably what's now called 'female ejaculate,' though in reality he was referring to the ancient theory that both men and women produced a kind of sperm that magically commingled to make babies.
Another theory as old as Aristotle was that of telegony, the idea that a woman's first pregnancy altered her womb so much that all her future offspring would resemble the father of her first child—even if they had different dads.
(Then again, Aristotle thought that men with small penises were more fertile—and more aesthetically attractive. So what did he know?)
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