No sex history would be complete without Vienna, so inevitably our trip involves shlepping to the capital, where Krafft-Ebing was promoted to head the psychiatric department at its university.
The country doctor arrived during Carnival season in 1889, just after the Crown Prince's suicide-murder.
One of his first outings was an asylum gala that featured lunatics dressed as cannibals, Bluebeards… and Jack the Rippers.
By that time, Krafft-Ebing's work had become required reading for anyone interested in sex, particularly a struggling, fame-hungry neurologist named Sigmund Freud.
A BLACK COMEDY
It's a shame to have to waste much space on the Father of Everything's Phallic, but Freud's impact on the present day is so pervasive it's unavoidable.
Amid all the hagiography masquerading as fact, the best book I've read on 'Uncle Siggie' is Richard Webster's devastatingly methodical critique, Why Freud Was Wrong, which demolishes the Freudian myth mainly because the author is so generous in trying to explain Freud's mistakes.
Not only is it a wise book in its own right, but it's also a thorough review of the evidence for and against Freud. I've also made cross-checks based on Freud's own writings and at least one title approved for sale in Vienna's Freud Museum.
The black comedy of Freud's career began with spectacular failure.
In fact, to this day, his followers don't like to talk much about the father of psychoanalysis being the godfather of the cocaine industry. Instead, they refer po-facedly to his ill-fated fling with the white stuff as 'the Cocaine Episode.'
At the age of twenty-eight, Freud had very little to show for all his years of studying, let alone his parents' belief that their 'Golden Siggie' would someday be a great man: a medical Moses, if not the Messiah himself.
Stuck in a lowly job as an intern in Vienna's general hospital, he couldn't scrape together enough money to marry his fiancée.
But then he claimed 'a lucky strike:' he found a paper by an army surgeon who noted that Andean marching powder seemed to pep up German soldiers.
Freud then dug up some obscure research published in Detroit claiming that cocaine could be used to wean morphine addicts from the arms of Morpheus.
Unbeknownst to him, this 'research' was sponsored by a (Detroit-based) drug company aiming to create a market for its star product—cocaine.
Judging from Freud's behavior throughout his career, though, it's doubtful that this knowledge would have deterred him.
Convinced of cocaine's potential as a panacea, the young doctor forked out for a sample of the pharmaceutical industry's finest in May 1884 and concluded that it was a 'magical drug:'
'I take very small doses regularly against depression and indigestion, and with the most brilliant success,' he raved to his beloved.
I think we can assume it was the coke talking.
A Journey from Pompeii's Oldest Brothel to Cold War Sexpionage,
Angry Male Lesbians and Beyond -- by JR Daeschner
Showing posts with label Graz. Show all posts
Showing posts with label Graz. Show all posts
The History of Sex: Graz and Vienna -- Only With Added Nipples -- (Chapter VIII, Part 20)
'Shhhho… what are you two into?' he slobbers at Lena.
She fends him off effortlessly. 'Um, each other?'
Once all the bluehairs have gone, the backroom turns into an impromptu slideshow starring Grazy and some other regulars at the annual drag-queen extravaganzas in Graz and Vienna.
These 'Tuntenballs'—or 'fag bashes'—are the successors to the exclusive parties hosted by homosexuals in Germany and Austria back in Krafft-Ebing's day.
The official photos feature gorgeous costumes and outrageous peacockery.
Unfortunately, the pics in this slideshow are more like vacation snaps, with dodgy drag queens surrounded by hot girls trying to outglam them by flaunting the only physical advantages they have: some are actually naked.
A more typical sequence, though, shows a woman and a tranny groping a topless woman's boobs, then the topless gal groping the woman back, and finally the topless woman cupping the drag queen's falsies.
It's like having to sit through your parents' holiday slideshow, only with added nipples.
Note to self: when your sex life is the most interesting thing about you, it's time to get a life.
Just as my eyelids are crusting shut, Grazy's girlfriend shouts at him and storms out, leaving him to totter after her and providing me with the break I need.
Outside, Grazy tells Lena and me they're headed to a joint called No Limits.
But I've already reached mine, and Lena's been gagging to go ever since she got here.
'God, that was dull!' she groans as we walk away. 'I've had more fun at lunch with a nun—at least she was laughing and telling dirty jokes!'
She fends him off effortlessly. 'Um, each other?'
Once all the bluehairs have gone, the backroom turns into an impromptu slideshow starring Grazy and some other regulars at the annual drag-queen extravaganzas in Graz and Vienna.
These 'Tuntenballs'—or 'fag bashes'—are the successors to the exclusive parties hosted by homosexuals in Germany and Austria back in Krafft-Ebing's day.
The official photos feature gorgeous costumes and outrageous peacockery.
Unfortunately, the pics in this slideshow are more like vacation snaps, with dodgy drag queens surrounded by hot girls trying to outglam them by flaunting the only physical advantages they have: some are actually naked.
A more typical sequence, though, shows a woman and a tranny groping a topless woman's boobs, then the topless gal groping the woman back, and finally the topless woman cupping the drag queen's falsies.
It's like having to sit through your parents' holiday slideshow, only with added nipples.
Note to self: when your sex life is the most interesting thing about you, it's time to get a life.
Just as my eyelids are crusting shut, Grazy's girlfriend shouts at him and storms out, leaving him to totter after her and providing me with the break I need.
Outside, Grazy tells Lena and me they're headed to a joint called No Limits.
But I've already reached mine, and Lena's been gagging to go ever since she got here.
'God, that was dull!' she groans as we walk away. 'I've had more fun at lunch with a nun—at least she was laughing and telling dirty jokes!'
* * *
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The History of Sex: Graz and Vienna -- 'Is It Him?' -- (Chapter VIII, Part 19)
Upon hearing this, our SM Youth delegate recoils. 'I could never do that,' Angelika says. 'Just go with a stranger? I'm too shy.'
For Judith, though, it's the spice of life. 'If we set a date, say, in five days' time, I'll spend those five days walking past people on the street and thinking, Is it him—or him? And I find this very exciting.'
On the contrary, Judith says she and Axel come here only once or twice a year.
'I would like to talk about SM, but most people at the Stammtisch just talk about their houses and cars,' she sighs. 'I find it boring.'
So dull, in fact, she announces that they have to go. She's left her children—ages eight and ten—home alone in the hope of swapping S&M tips with other adults.
'My wife's a little nervous about them being alone,' Axel apologizes. 'You never know what they'll do on the computer.'
At this point, if I had any sense, I'd follow their lead.
But I stick it out, mainly because Lena's coming here. And the arrival of the Latin South African is like the miraculous apparition of a model on the Isle of Man: the locals can't help but crave her Genes! Fresh geeeeenes!
Greedy and goggle-eyed, the assembled men (and women) look like they'd like to make goulash of her, or at least have her schnitzel their wieners.
One guy in particular is practically drooling.
'He is the bondage scene in Graz,' Grazy informs me.
Balding of head and bulging of eye, his teeth are too big for his mouth. I reckon he has saliva issues at the best of times.
As for his partner, well, if he tied her up and stuck an apple in her, he'd have the makings of an S&M luau.
For Judith, though, it's the spice of life. 'If we set a date, say, in five days' time, I'll spend those five days walking past people on the street and thinking, Is it him—or him? And I find this very exciting.'
On the contrary, Judith says she and Axel come here only once or twice a year.
'I would like to talk about SM, but most people at the Stammtisch just talk about their houses and cars,' she sighs. 'I find it boring.'
So dull, in fact, she announces that they have to go. She's left her children—ages eight and ten—home alone in the hope of swapping S&M tips with other adults.
'My wife's a little nervous about them being alone,' Axel apologizes. 'You never know what they'll do on the computer.'
At this point, if I had any sense, I'd follow their lead.
But I stick it out, mainly because Lena's coming here. And the arrival of the Latin South African is like the miraculous apparition of a model on the Isle of Man: the locals can't help but crave her Genes! Fresh geeeeenes!
Greedy and goggle-eyed, the assembled men (and women) look like they'd like to make goulash of her, or at least have her schnitzel their wieners.
One guy in particular is practically drooling.
'He is the bondage scene in Graz,' Grazy informs me.
Balding of head and bulging of eye, his teeth are too big for his mouth. I reckon he has saliva issues at the best of times.
As for his partner, well, if he tied her up and stuck an apple in her, he'd have the makings of an S&M luau.
The History of Sex: Graz and Vienna -- Raggedy Ann in Chains -- (Chapter VIII, Part 18)
'There's even an SM Style now,' she continues, citing the pop star Rihanna (SM boyfriend optional).
Our tablemates are a tousle-haired artist and his wife, whose orange pageboy, bright lipstick and striped tights remind me of a Raggedy Ann doll.
Very much to the contrary, she's the model for Axel's new series on Sex and Aggression, which makes me even more appreciative of Max's paintings in the S&M B&B in Venice.
Like most modern artists, Axel can't resist the post-Freudian urge to tell you what his images are trying to say—when of course the truth is, if he could actually paint, the work would speak for itself.
His canvases feature snatches of Krafft-Ebing and Sacher-Masoch plastered above paintings of his wife, who's naked except for bondage straps and pictured in various degrading poses: bending over naked, eating out of a dog bowl and so on.
As in life, her wide eyes are startlingly blank, though in art, she also has a corresponding lack of genitalia: the belt crisscrossing her groin forms a kind of labia.
Flipping through the samples, and sitting next to his apparently mingeless muse, I'm finding it surprisingly hard to make conversation.
WANNA RIDE?
The question I really want to ask—is that really what your bits look like?—probably isn't socially acceptable, even in this crowd.
So I opt for the boringly conventional: 'Sooooooo… how did you two meet?'
Judith tells me a tale reminiscent of Schnitzler's Dream Story, the Viennese source of the film, Eyes Wide Shut.
At twenty-five, Judith found herself married with two children when she realized that—Grosser Gott!—she'd never had an orgasm.
So she took up with Axel, who constructs real-life fantasies for her involving his acquaintances.
'Axel might arrange for me to go to a restaurant, and I'll say, "Is there a taxi driver here?" And a stranger will stand up, and I then go with him.'
Presumably they avoid cabbie hangouts.
Our tablemates are a tousle-haired artist and his wife, whose orange pageboy, bright lipstick and striped tights remind me of a Raggedy Ann doll.
![]() |
| Sure enough, if you Google 'bondage Raggedy Ann,' this is what you get |
Very much to the contrary, she's the model for Axel's new series on Sex and Aggression, which makes me even more appreciative of Max's paintings in the S&M B&B in Venice.
Like most modern artists, Axel can't resist the post-Freudian urge to tell you what his images are trying to say—when of course the truth is, if he could actually paint, the work would speak for itself.
His canvases feature snatches of Krafft-Ebing and Sacher-Masoch plastered above paintings of his wife, who's naked except for bondage straps and pictured in various degrading poses: bending over naked, eating out of a dog bowl and so on.
As in life, her wide eyes are startlingly blank, though in art, she also has a corresponding lack of genitalia: the belt crisscrossing her groin forms a kind of labia.
Flipping through the samples, and sitting next to his apparently mingeless muse, I'm finding it surprisingly hard to make conversation.
WANNA RIDE?
The question I really want to ask—is that really what your bits look like?—probably isn't socially acceptable, even in this crowd.
So I opt for the boringly conventional: 'Sooooooo… how did you two meet?'
Judith tells me a tale reminiscent of Schnitzler's Dream Story, the Viennese source of the film, Eyes Wide Shut.
At twenty-five, Judith found herself married with two children when she realized that—Grosser Gott!—she'd never had an orgasm.
So she took up with Axel, who constructs real-life fantasies for her involving his acquaintances.
'Axel might arrange for me to go to a restaurant, and I'll say, "Is there a taxi driver here?" And a stranger will stand up, and I then go with him.'
Presumably they avoid cabbie hangouts.
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The History of Sex: Graz and Vienna -- Born This Way? -- (Chapter VIII, Part 14)
While casting around for info about the home of masochism, I found a reference to Graz on a whoremongers' website.
The businessman writing the review said he'd had a few hours to kill en route to Munich, so rather than read a book, go to a museum or do anything productive with his time, he decided to do something anti-reproductive: he went to a whorehouse.
Having ordered himself a Thai, he offered her €200 ($270) 'for fucking and pissing into her mouth… She reluctantly agreed for three hundred. I pissed, she even swallowed some, but was not enthusiastic.'
And rrrrrrrrriipppp!
Off went another layer of innocence from my psyche.
Of course, I knew about 'golden showers' and the like—Lena had a girlfriend aroused by the sight of defecation; she used to a sit under a glass coffee table to watch, raising an obvious question about friends and enemas.
But what kind of cretin expects a complete stranger to swallow his waste with a smile?
The typical reaction to this is to spout the relativist view that such vices have always existed and always will.
But Krafft-Ebing's work makes you wonder whether the percentage of kinksters has actually increased over the past century.
In other words, are there more 'perverts' now than there used to be?
SEX AND CONSUMERISM
To try to find out, I phoned Krafft-Ebing's Dutch biographer before coming here.
'I think it has to do with opportunity,' Professor Harry Oosterhuis told me. 'I don't believe in a kind of essentialist sex drive. Sexual drive and desires are also recognized and realized because you have the opportunity and possibility of developing them. If you have no examples around you, perhaps you wouldn't get the idea.'
'What I know of a lot of people in Amsterdam is that they experiment. People start from heterosexuality to also experiment with bisexuality and homosexuality. They start to develop a fetish. They might be involved in S&M because there are S&M parties. It has to do with lifestyle, with consumerism, with people wanting to do something with their fantasies and having the opportunity because we live in quite a liberal and affluent society in which you can realize lifestyles.'
Notably, almost all of Krafft-Ebing's case histories came from the upper classes.
'You find very few laborers. And this sexual culture that was already there and was very elitist has simply been democratized after the Second World War.'
The businessman writing the review said he'd had a few hours to kill en route to Munich, so rather than read a book, go to a museum or do anything productive with his time, he decided to do something anti-reproductive: he went to a whorehouse.
Having ordered himself a Thai, he offered her €200 ($270) 'for fucking and pissing into her mouth… She reluctantly agreed for three hundred. I pissed, she even swallowed some, but was not enthusiastic.'
And rrrrrrrrriipppp!
Off went another layer of innocence from my psyche.
Of course, I knew about 'golden showers' and the like—Lena had a girlfriend aroused by the sight of defecation; she used to a sit under a glass coffee table to watch, raising an obvious question about friends and enemas.
But what kind of cretin expects a complete stranger to swallow his waste with a smile?
![]() |
| Ah, the innocence... |
The typical reaction to this is to spout the relativist view that such vices have always existed and always will.
But Krafft-Ebing's work makes you wonder whether the percentage of kinksters has actually increased over the past century.
In other words, are there more 'perverts' now than there used to be?
SEX AND CONSUMERISM
To try to find out, I phoned Krafft-Ebing's Dutch biographer before coming here.
'I think it has to do with opportunity,' Professor Harry Oosterhuis told me. 'I don't believe in a kind of essentialist sex drive. Sexual drive and desires are also recognized and realized because you have the opportunity and possibility of developing them. If you have no examples around you, perhaps you wouldn't get the idea.'
'What I know of a lot of people in Amsterdam is that they experiment. People start from heterosexuality to also experiment with bisexuality and homosexuality. They start to develop a fetish. They might be involved in S&M because there are S&M parties. It has to do with lifestyle, with consumerism, with people wanting to do something with their fantasies and having the opportunity because we live in quite a liberal and affluent society in which you can realize lifestyles.'
Notably, almost all of Krafft-Ebing's case histories came from the upper classes.
'You find very few laborers. And this sexual culture that was already there and was very elitist has simply been democratized after the Second World War.'
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The History of Sex: Graz and Vienna -- 'To Kill What One Loves' -- (Chapter VIII, Part 11)
These farcical situations turned Sacher-Masoch's life into a tragedy.
Wanda left him for another man, and his second wife, Hulda, ended up having him committed.
According to Sacher-Masoch's biography (The First Masochist by James Cleugh, recommended to me by Finn in Lacoste), one day Hulda found the writer in his study with his favorite cat dead on his lap, ranting about how he'd had an urge to kill the Angora kitten while he was stroking it:
'Ah, to kill what one loves, Hulda! What appalling rapture! It is like killing oneself! To crush, tear, suffocate and destroy another's handiwork, to set the seal of death, of annihilation where God Himself has enthroned life!'
Predictably, he then had nightmares about cats getting their own back:
'I am being eaten alive! It's the cats—they're after me!'
And during the day, he resorted to ever more extreme remedies, including whips of hooks and nails, boiling poultices, red-hot needles, razors, and plenty of salt to rub into his wounds.
Officially, the renowned writer, Leopold von Sacher-Masoch, died of heart failure in 1895, aged 59.
In reality, according to his biographer, he lived for another decade in a German insane asylum—ironically, in the hometown of Krafft-Ebing, the man who ensured his name would never be forgotten.
Wanda left him for another man, and his second wife, Hulda, ended up having him committed.
According to Sacher-Masoch's biography (The First Masochist by James Cleugh, recommended to me by Finn in Lacoste), one day Hulda found the writer in his study with his favorite cat dead on his lap, ranting about how he'd had an urge to kill the Angora kitten while he was stroking it:
'Ah, to kill what one loves, Hulda! What appalling rapture! It is like killing oneself! To crush, tear, suffocate and destroy another's handiwork, to set the seal of death, of annihilation where God Himself has enthroned life!'
Predictably, he then had nightmares about cats getting their own back:
'I am being eaten alive! It's the cats—they're after me!'
And during the day, he resorted to ever more extreme remedies, including whips of hooks and nails, boiling poultices, red-hot needles, razors, and plenty of salt to rub into his wounds.
Officially, the renowned writer, Leopold von Sacher-Masoch, died of heart failure in 1895, aged 59.
In reality, according to his biographer, he lived for another decade in a German insane asylum—ironically, in the hometown of Krafft-Ebing, the man who ensured his name would never be forgotten.
![]() |
| Leopold and Hulda |
* * *
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The History of Sex: Graz and Vienna -- How Masochism Got Its Name -- (Chapter VIII, Part 9)
In reality, the end of Sacher-Masoch's affair with Fanny was far less melodramatic: 'Gregor' and his Mistress simply split up when their six-month contract expired, apparently because they got bored.
After a couple more flings—one of which produced a daughter—Sacher-Masoch returned to Graz.
Then one day a letter landed on his desk signed 'Wanda von Dunajew.'
Ever a sucker for female fans, Sacher-Masoch took the bait: not only did he sign an S&M contract with this real-life 'Wanda,' he also proposed to her.
THOROUGHLY WHIPPED
After their marriage, she confessed to him that she wasn't actually a lady at all: her real name was Aurora Rümelin, the daughter of a deadbeat train-stationmaster and a woman who ran a tobacco shop.
What's more, Aurora hadn't even written the letters she'd sent to Sacher-Masoch; they'd been penned by a Jewish friend who knew he liked fan mail.
By then, though, Sacher-Masoch was so thoroughly whipped he didn't care.
He and his wife settled down in a millhouse outside Graz, where she gave birth to a second son (the first had died shortly after birth) and he focused on writing—while demanding that 'Wanda' whip and cuckold him.
Despite these extracurricular passions, Sacher-Masoch somehow found the time to churn out more than eighty books during his career, including a novella called The Love of Plato featuring homosexuality.
His works were translated throughout Europe, and in 1883, the French celebrated his twenty-fifth anniversary as a writer by inducting him into the Legion of Honor, with salutations from Zola, Dumas, Ibsen and Hugo.
By the time Krafft-Ebing coined 'masochism,' though, Sacher-Masoch's best years were behind him.
In naming the kink after a contemporary, Krafft-Ebing argued that even straight sex involved a degree of sadomasochism, with men inflicting pain on the women they deflowered.
What seemed to be new about Sacher-Masoch and his followers was that they reversed the 'natural' sex roles.
Krafft-Ebing rejected a rival term, algolagnia—or a love of pain—because his correspondents told him they didn't necessarily want to be hurt (or have sex, for that matter); they relished the feeling of being dominated and humiliated, usually with heavy lashings of fantasy and role-playing.
Sacher-Masoch complained that the psychiatrist had tarnished his mother's good name.
However, calling the kink 'Sacherism' might have hurt Austria's already delicate imperial pride: another family called Sacher ran the landmark Hotel Sacher in Vienna, home of the famous Sacher Torte.
After a couple more flings—one of which produced a daughter—Sacher-Masoch returned to Graz.
Then one day a letter landed on his desk signed 'Wanda von Dunajew.'
Ever a sucker for female fans, Sacher-Masoch took the bait: not only did he sign an S&M contract with this real-life 'Wanda,' he also proposed to her.
THOROUGHLY WHIPPED
After their marriage, she confessed to him that she wasn't actually a lady at all: her real name was Aurora Rümelin, the daughter of a deadbeat train-stationmaster and a woman who ran a tobacco shop.
What's more, Aurora hadn't even written the letters she'd sent to Sacher-Masoch; they'd been penned by a Jewish friend who knew he liked fan mail.
By then, though, Sacher-Masoch was so thoroughly whipped he didn't care.
He and his wife settled down in a millhouse outside Graz, where she gave birth to a second son (the first had died shortly after birth) and he focused on writing—while demanding that 'Wanda' whip and cuckold him.
Despite these extracurricular passions, Sacher-Masoch somehow found the time to churn out more than eighty books during his career, including a novella called The Love of Plato featuring homosexuality.
His works were translated throughout Europe, and in 1883, the French celebrated his twenty-fifth anniversary as a writer by inducting him into the Legion of Honor, with salutations from Zola, Dumas, Ibsen and Hugo.
By the time Krafft-Ebing coined 'masochism,' though, Sacher-Masoch's best years were behind him.
In naming the kink after a contemporary, Krafft-Ebing argued that even straight sex involved a degree of sadomasochism, with men inflicting pain on the women they deflowered.
What seemed to be new about Sacher-Masoch and his followers was that they reversed the 'natural' sex roles.
Krafft-Ebing rejected a rival term, algolagnia—or a love of pain—because his correspondents told him they didn't necessarily want to be hurt (or have sex, for that matter); they relished the feeling of being dominated and humiliated, usually with heavy lashings of fantasy and role-playing.
Sacher-Masoch complained that the psychiatrist had tarnished his mother's good name.
However, calling the kink 'Sacherism' might have hurt Austria's already delicate imperial pride: another family called Sacher ran the landmark Hotel Sacher in Vienna, home of the famous Sacher Torte.
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The History of Sex: Graz and Vienna -- The Original Mistress-Slave Relationship -- (Chapter VIII, Part 7)
Being slapped around entertained him for a bit, but Sacher-Masoch eventually tired of the doctor's wife, deeming her too common to be a despotic sultana or tsarina.
So he started trying to offload her onto some other sod, thinking the jealousy might spice up their adultery.
Sacher-Masoch had shown Anna a draft of what would be his most famous work—Venus in Furs—but she never really got what he wanted.
What she did get, though, was syphilis from a 'Polish Count' who'd been encouraged by Sacher-Masoch to seduce her.
Even worse, the 'Count' turned out to be an impostor, and when Anna tearfully confessed her infidelity—and contagious disease—to Sacher-Masoch, he pretended to be offended… and neatly cut her dead in the process.
THE FANNY OF HIS DREAMS
Leopold then flirted with a manly Baroness from Munich who turned out to be a lesbian before he finally found the Fanny of his dreams.
Or, to be precise, Fanny found him.
In 1869, Sacher-Masoch received a fan letter from a would-be authoress who signed herself as 'Baroness Bogdanoff' but in reality was just plain ol' Fanny Pistor.
Nevertheless, they soon embarked on the original Mistress-Slave relationship, complete with a six-month written contract giving her the right to punish 'Gregor' at will.
In return, she promised to wear furs as often as possible: 'especially when she is in a cruel mood.'
Mistress and Slave immediately left boring old Graz to live out their fantasies in Venice, where Sacher-Masoch encouraged Fanny to have an affair with an Italian actor he insisted on calling 'the Greek' (because it sounded more exotic).
That year, the writer also published Venus in Furs, basing the title on his nickname for a painting by Titian (which is actually called Venus with a Mirror).
As with the Venus of Urbino, Sacher-Masoch's fixation features a hefty goddess in the buff, but Titian painted her dripping in jewels and fur.
The saucy detail is in the trim: her fur cloak cunningly overlays her mons veneris.
So he started trying to offload her onto some other sod, thinking the jealousy might spice up their adultery.
Sacher-Masoch had shown Anna a draft of what would be his most famous work—Venus in Furs—but she never really got what he wanted.
What she did get, though, was syphilis from a 'Polish Count' who'd been encouraged by Sacher-Masoch to seduce her.
Even worse, the 'Count' turned out to be an impostor, and when Anna tearfully confessed her infidelity—and contagious disease—to Sacher-Masoch, he pretended to be offended… and neatly cut her dead in the process.
THE FANNY OF HIS DREAMS
Leopold then flirted with a manly Baroness from Munich who turned out to be a lesbian before he finally found the Fanny of his dreams.
Or, to be precise, Fanny found him.
In 1869, Sacher-Masoch received a fan letter from a would-be authoress who signed herself as 'Baroness Bogdanoff' but in reality was just plain ol' Fanny Pistor.
Nevertheless, they soon embarked on the original Mistress-Slave relationship, complete with a six-month written contract giving her the right to punish 'Gregor' at will.
In return, she promised to wear furs as often as possible: 'especially when she is in a cruel mood.'
![]() |
| Sacher-Masoch and Fanny: Mistress and Slave |
Mistress and Slave immediately left boring old Graz to live out their fantasies in Venice, where Sacher-Masoch encouraged Fanny to have an affair with an Italian actor he insisted on calling 'the Greek' (because it sounded more exotic).
That year, the writer also published Venus in Furs, basing the title on his nickname for a painting by Titian (which is actually called Venus with a Mirror).
As with the Venus of Urbino, Sacher-Masoch's fixation features a hefty goddess in the buff, but Titian painted her dripping in jewels and fur.
The saucy detail is in the trim: her fur cloak cunningly overlays her mons veneris.
The History of Sex: Graz and Vienna -- The First Masochist -- (Chapter VIII, Part 6)
The 'first masochist' had come into the world around the same time that sadism made its way into the dictionaries.
Like the Marquis de Sade, Leopold von Sacher-Masoch was an aristo with theatrical tastes who became a bestselling author and wound up dying in an asylum.
As with sadism's namesake, he was probably a bit odd to begin with.
Born in 1836, he came from Austrian Galicia, a culturally rich but cruelly poor region on the frontiers of Russia and Poland.
When Leopold was barely ten, his father helped crush a master-versus-servant revolt in Galicia that featured all the usual Slavic bloodlust: massacres, rapes, lynchings and people being buried alive.
A contemporary noted that Galician women had two choices: 'Either they fully dominate the husband and make him their slave, which is their most usual behavior, or else they themselves sink to the most pitiable level of abject existence.'
As a boy, Sacher-Masoch idealized his mother as one of Raphael's Madonnas, but the woman he idolized was his father's sister.
Tall and domineering, his aunt had a comically theatrical name: the Countess Zenobia.
Sacher-Masoch would later recall impulsively kissing her foot while helping her put on her shoes.
Like a good aunt, the Countess laughed at her nephew; then, like a bad aunt, she kicked him in the face.
LET THE SLAPPING BEGIN...
Some time later, the little Chevalier was secretly playing in her bedroom—sniffing her furs, natch—when she rushed in with a lover.
While Leopold hid in the wardrobe, her husband happened to interrupt the adulterers, but instead of begging his forgiveness, the Countess leapt up and slapped the Count in the face.
After he and the lover fled the room (via different exits, naturally), the frustrated Countess discovered her nephew's hiding place and gave him a hiding.
Whereas most people might try to forget such a trauma, Sacher-Masoch spent his life trying to recreate it.
Having qualified as a doctor of law at just nineteen, he published his first book two years later as a professor at the University of Graz.
Around the same time, he met the first of his would-be dominatrixes.
Anna was the sexy wife of a doctor (with whom she also had two children), and her young admirer was attractive in a tortured artist-mad hatter kind of way, with tousled hair and intense eyes that diverted attention from his irregular features.
What's more, Sacher-Masoch had a way with words—not to mention a steady income from his family.
The pair flaunted their affair until the writer began to realize that Anna was a gold-digger.
When Leopold finally challenged her about spending his money, she slapped him.
She immediately apologized, but to her surprise, he replied, 'No, Anna. I like it—do it again.'
Like the Marquis de Sade, Leopold von Sacher-Masoch was an aristo with theatrical tastes who became a bestselling author and wound up dying in an asylum.
As with sadism's namesake, he was probably a bit odd to begin with.
Born in 1836, he came from Austrian Galicia, a culturally rich but cruelly poor region on the frontiers of Russia and Poland.
When Leopold was barely ten, his father helped crush a master-versus-servant revolt in Galicia that featured all the usual Slavic bloodlust: massacres, rapes, lynchings and people being buried alive.
A contemporary noted that Galician women had two choices: 'Either they fully dominate the husband and make him their slave, which is their most usual behavior, or else they themselves sink to the most pitiable level of abject existence.'
As a boy, Sacher-Masoch idealized his mother as one of Raphael's Madonnas, but the woman he idolized was his father's sister.
Tall and domineering, his aunt had a comically theatrical name: the Countess Zenobia.
Sacher-Masoch would later recall impulsively kissing her foot while helping her put on her shoes.
Like a good aunt, the Countess laughed at her nephew; then, like a bad aunt, she kicked him in the face.
LET THE SLAPPING BEGIN...
Some time later, the little Chevalier was secretly playing in her bedroom—sniffing her furs, natch—when she rushed in with a lover.
While Leopold hid in the wardrobe, her husband happened to interrupt the adulterers, but instead of begging his forgiveness, the Countess leapt up and slapped the Count in the face.
After he and the lover fled the room (via different exits, naturally), the frustrated Countess discovered her nephew's hiding place and gave him a hiding.
Whereas most people might try to forget such a trauma, Sacher-Masoch spent his life trying to recreate it.
Having qualified as a doctor of law at just nineteen, he published his first book two years later as a professor at the University of Graz.
Around the same time, he met the first of his would-be dominatrixes.
Anna was the sexy wife of a doctor (with whom she also had two children), and her young admirer was attractive in a tortured artist-mad hatter kind of way, with tousled hair and intense eyes that diverted attention from his irregular features.
What's more, Sacher-Masoch had a way with words—not to mention a steady income from his family.
The pair flaunted their affair until the writer began to realize that Anna was a gold-digger.
When Leopold finally challenged her about spending his money, she slapped him.
She immediately apologized, but to her surprise, he replied, 'No, Anna. I like it—do it again.'
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The History of Sex: Graz and Vienna -- Bona Fide Freaks -- (Chapter VIII, Part 4)
And on and on—and on—it goes, case after Germanically detailed case of characters who would make headlines today but also make you wonder whether sex as we know it (or not) has changed at all since the nineteenth century.
On the one hand, for instance, there's one of Krafft-Ebing's early patients, a twenty-year-old farmer's daughter who couldn't stop masturbating.
The doctor tried hydrotherapy and various 'methods of coercion' to cure her before realizing the real reason she could never scratch her very particular itch: she was infested with maggots.
On the other hand, many of his 'perverts' are easily recognizable as our sexual ancestors, in spirit if not in deed: there are hordes of homosexuals (including sailors cottaging in public toilets and gay-for-pay soldiers), cross-dressing men and women (such as an officer who dressed up in a pink tutu), child killers and animal abusers (including a fowl-torturer known to prostitutes as 'Mr. Chicken'), proto-pony boys, leather fetishists, assorted sadists and people who enjoyed fisting (one man fantasized about inserting his arm, 'all the way up to the shoulder blade, into a woman's vagina') and genital torture (a captain forced his lover 'to place leeches on her genitals before coitus… The woman finally became very anemic and, as a result, insane').
BUT ONLY WITH THEIR LEFT FEET
Not to mention the bona fide freaks: a merchant who masturbated 'by means of a pocket electric battery' and orgasmed by burning holes in women's clothes on the street… a man who would have a woman lie down in a ball gown and then ambush her ('he jumped on top of her and defecated on her breasts… while doing this, he ejaculated')… a misogynist who murdered an old woman and was about to flog the corpse but 'was unable to do so because of his conscience; he therefore cut off the breasts and genitalia with a knife, cooked them at home, and ate them')… a physician who'd been introduced to medicine by his family doctor, who'd also masturbated with him as a boy and shown him their sperm under the microscope ('he dilated my anus with instruments')… a civil servant attracted to women who limped but only with their left feet… and finally the case of X, a man who 'only loved men with large, bushy moustaches':
'One day he met his ideal. He invited him home, but was unspeakably disappointed when the man removed an artificial moustache. Only when the visitor returned the ornament to his upper lip did he exercise his charm over X once more and restored X to complete virility.'
On the one hand, for instance, there's one of Krafft-Ebing's early patients, a twenty-year-old farmer's daughter who couldn't stop masturbating.
The doctor tried hydrotherapy and various 'methods of coercion' to cure her before realizing the real reason she could never scratch her very particular itch: she was infested with maggots.
On the other hand, many of his 'perverts' are easily recognizable as our sexual ancestors, in spirit if not in deed: there are hordes of homosexuals (including sailors cottaging in public toilets and gay-for-pay soldiers), cross-dressing men and women (such as an officer who dressed up in a pink tutu), child killers and animal abusers (including a fowl-torturer known to prostitutes as 'Mr. Chicken'), proto-pony boys, leather fetishists, assorted sadists and people who enjoyed fisting (one man fantasized about inserting his arm, 'all the way up to the shoulder blade, into a woman's vagina') and genital torture (a captain forced his lover 'to place leeches on her genitals before coitus… The woman finally became very anemic and, as a result, insane').
BUT ONLY WITH THEIR LEFT FEET
Not to mention the bona fide freaks: a merchant who masturbated 'by means of a pocket electric battery' and orgasmed by burning holes in women's clothes on the street… a man who would have a woman lie down in a ball gown and then ambush her ('he jumped on top of her and defecated on her breasts… while doing this, he ejaculated')… a misogynist who murdered an old woman and was about to flog the corpse but 'was unable to do so because of his conscience; he therefore cut off the breasts and genitalia with a knife, cooked them at home, and ate them')… a physician who'd been introduced to medicine by his family doctor, who'd also masturbated with him as a boy and shown him their sperm under the microscope ('he dilated my anus with instruments')… a civil servant attracted to women who limped but only with their left feet… and finally the case of X, a man who 'only loved men with large, bushy moustaches':
'One day he met his ideal. He invited him home, but was unspeakably disappointed when the man removed an artificial moustache. Only when the visitor returned the ornament to his upper lip did he exercise his charm over X once more and restored X to complete virility.'
Labels:
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The History of Sex: Graz and Vienna -- Of Pinceurs and Zopfabschneiders -- (Chapter VIII, Part 2)
Before Freud began seducing the West, though, Europe produced a boom in sex research that belies the buttoned-up stereotypes of the nineteenth century.
The Industrial Revolution forced millions of people to migrate to the cities, freeing individuals to make like-minded acquaintances outside their families.
Rather than having to suffer as 'the only pervert in the village,' a person with unconventional kinks could find entire clandestine villages of 'perverts' in the big city.
And faced with this perceived increase in 'perversions'—and their attendant diseases—doctors endeavored to work out whether deviance was inborn or induced: was it breeding or city living that drove people crazy?
Inevitably, these medicine men framed their diagnoses in the technological (and sexist) metaphors of their time.
In fact, like the old nature-versus-nurture argument, you can still hear people repeating them today.
Doctors concluded that the human body was a complex machine, and sex a uniquely powerful form of energy. To keep the machine from overheating or breaking down, regular releases of energy were necessary.
Conversely, if a body had too much sex—or the wrong sort (viz: masturbation)—the whole thing could blow.
And if that happened to enough people, well, civilization itself could bump and grind to a halt.
The most famous sex expert was a German-Austrian aristocrat who's barely remembered now.
If mentioned at all, Richard von Krafft-Ebing is often vilified as an obsessive cataloguer of 'perversions,' a doctor who created the sexual categories we still live with today.
At a time when the world seemed to be going sex-mad, it was a roly-poly Catholic with kind eyes who crafted the straitjackets.
To be sure, Krafft-Ebing and his fellow sexperts had a tendency to get carried away: besides inventing terms that we still use ('heterosexuality,' 'homosexuality,' 'exhibitionism' and 'pedophilia'), they came up with plenty more that we don't, such as pinceur (a perv who pinched women) and the presumably extinct Zopfabschneider (a perv who chopped off women's hairbuns).
With their Germanic knack for nomenclature, it's a wonder they never minted a term for 'Doctors Who Get Their Kicks Conducting Dodgy Sex Studies in the Name of Research,' such as the gynecologist in Berlin who beavered away, examining 1,000 women—it's hard work, but somebody's got…—to conclude what most of us would have guessed already: that a woman's hair color often matches her pubic follicles.
(The world's still awaiting a follow-up study on men).
The Industrial Revolution forced millions of people to migrate to the cities, freeing individuals to make like-minded acquaintances outside their families.
Rather than having to suffer as 'the only pervert in the village,' a person with unconventional kinks could find entire clandestine villages of 'perverts' in the big city.
And faced with this perceived increase in 'perversions'—and their attendant diseases—doctors endeavored to work out whether deviance was inborn or induced: was it breeding or city living that drove people crazy?
Inevitably, these medicine men framed their diagnoses in the technological (and sexist) metaphors of their time.
In fact, like the old nature-versus-nurture argument, you can still hear people repeating them today.
Doctors concluded that the human body was a complex machine, and sex a uniquely powerful form of energy. To keep the machine from overheating or breaking down, regular releases of energy were necessary.
Conversely, if a body had too much sex—or the wrong sort (viz: masturbation)—the whole thing could blow.
And if that happened to enough people, well, civilization itself could bump and grind to a halt.
The most famous sex expert was a German-Austrian aristocrat who's barely remembered now.
If mentioned at all, Richard von Krafft-Ebing is often vilified as an obsessive cataloguer of 'perversions,' a doctor who created the sexual categories we still live with today.
At a time when the world seemed to be going sex-mad, it was a roly-poly Catholic with kind eyes who crafted the straitjackets.
To be sure, Krafft-Ebing and his fellow sexperts had a tendency to get carried away: besides inventing terms that we still use ('heterosexuality,' 'homosexuality,' 'exhibitionism' and 'pedophilia'), they came up with plenty more that we don't, such as pinceur (a perv who pinched women) and the presumably extinct Zopfabschneider (a perv who chopped off women's hairbuns).
With their Germanic knack for nomenclature, it's a wonder they never minted a term for 'Doctors Who Get Their Kicks Conducting Dodgy Sex Studies in the Name of Research,' such as the gynecologist in Berlin who beavered away, examining 1,000 women—it's hard work, but somebody's got…—to conclude what most of us would have guessed already: that a woman's hair color often matches her pubic follicles.
(The world's still awaiting a follow-up study on men).
Labels:
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Germany,
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History,
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Pedophilia and Crimes against Children,
Sigmund Freud,
The 1800s,
Travel
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