One of the girls chose to continue serving the Sades, but three others were packed off to convents (the Marquis' wife told the nuns not to believe their confessions), and the most traumatized teenager was sent to be guarded by the Marquis' uncle.
Seeing that he was a priest, the raving girl tried to confide in him; little did she know that the AbbĂ© de Sade—an expert on the troubadours—was almost as bad as his nephew: rumor had it he'd also recently kidnapped a girl from her parents.
But the cover-up didn't end there.
AN ABUSIVE FAMILY TREE?
In the spring of 1775, Sade's chambermaid, Nanon, had a child and claimed he was the father (which may very well have been a lie).
Just in case, to prevent her from joining forces with the parents of the abused girls, the Marquis' wife framed her for stealing some silver and succeeded in getting her locked up.
Nanon didn't find out until months later that her newborn had died while she was in prison.
Which makes me wonder: just as the Marquis' descendants are still kicking around—his great-great grandson lives in the Loire Valley—it's feasible that the victims of his victims might have survived down the ages, forming a kind of abusive family tree.
If it's true that many pedophiles have been victims themselves, and some of Sade's victims went on to abuse more than one child each, and their victims did the same, then even allowing for war, disease and margin of error, it's possible that someone somewhere is being abused now because of what took place in Lacoste less than eight generations ago.
Maybe that's why Sade gets so little publicity here.
Not surprisingly, Finn doesn't like to talk much about his hero's sex crimes, preferring to paint him as an important figure in the history of thought.
And to a certain extent, he's got a point.
For example, Sade mocked Rousseau and other Enlightenment thinkers for idealizing Nature.
Decades before Darwin, the Marquis preached that Nature was cruel, not kind; in his brutally reductive view, the most 'natural' way to live was to revel in Nature's cruelty.
A sculpture on the grounds of the Marquis de Sade's castle, part of Pierre Cardin's Festival de Lacoste (with a not-so-ghostly specter in the foreground) |
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