The History of Sex: Seville -- Tricksters and Conquistadors -- (Chap. VI, Pt. 8)

Though prone to corruption, a devil's advocate could argue that the Inquisition served as a check on decadence during Spain's 'Golden Century.'

Even after England thrashed the Spanish Armada in 1588, Spain ranked as a global superpower, with vast territories encompassing Latin America, the Caribbean, Florida, California and the southwestern US (without forgetting the Philippines).

The Spanish Inquisition also influenced fashion throughout Europe, though Continentals eventually ditched the rich-but-dour look for more revealing styles (even as the Spanish bizarrely took to binding their daughters' chests with lead plates to make their breasts 'as flat as a sheet of paper,' according to a French contemporary).

At the same time, Spain popularized the Cult of the Virgin, forcing women back up on an even higher pedestal.

Seville still prides itself on being MUY MARIANA: VERY MARIAN.

At least two centuries before the Vatican made it official, the home of Don Juan touted Mary's Immaculate Conception, a doctrine that took the concept of female purity to the extreme: not only had the Mother of God been an eternal virgin, she'd also been conceived sans original sin.

NONCONFORMISTS VS. CONQUISTADORS


Crucially, the riches that made this age 'Golden' for Spain weren't so much earned as stolen, with the conquistadors taking far more from the New World than they put in.

Consider the settlers of New England versus New Spain.

The former were Calvinist nonconformists who risked their lives for an ideal: to be able to practice their beliefs free from religious persecution.

In contrast, the semi-literate brutes who conquered 'New Spain' (like the English fortune-seekers who settled the American South) risked their lives solely to get rich or die trying.

The mountains of gold and silver they shipped back via Seville fostered generations of aristos with no real purpose but to waste their fortunes and amuse themselves by exploiting others.

It's this decadence that produced the character of Don Juan.

Miguel de Manara, often cited as the 'real' Don Juan

The original Trickster of Seville was a straight, wages-of-sin cautionary tale, penned around 1630 by Tirso de Molina, a monk turned playwright.

Don Juan Tenorio is a rich young blade who gets his kicks tricking women into bed.

Catholic to the core, he seduces and double-crosses his way from Naples to Seville, cynically boasting that he'll seek God's forgiveness with his last breath.

The supernatural twist is that the ghost of a man he's murdered—the father of a dishonored woman—kills Don Juan and drags him off to hell before he can repent.

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